The Opening

by Sue Eisenfeld

When I arrived at the exhibit, “Spirit & Strength: Modern Art from Haiti,” in Washington DC, the National Gallery of Art’s first-ever collection and exhibition of Haitian art in its 88-year history, I came with an expectation  —

Revolution. Continue reading “The Opening”

Dogs of Arizona, Snakes of Isidore

by Caitlin Horrocks

Fifteen years ago, I wandered in to the first American exhibition of paintings by artist Oscar Oiwa. I used to walk periodically through the Arizona State University Art Museum in much the same way I liked to walk through the life sciences building with terrariums embedded in the walls showcasing native snake species: I was a graduate student in writing, and hungry for visual input of any kind that was not a computer screen or a printed page, the inside of a classroom, or the endless taupe streetscapes of Phoenix and Tempe. Continue reading “Dogs of Arizona, Snakes of Isidore”

After the Art – Issue 20 – June 2023

Welcome to After the Art’s twentieth issue.

We hope you enjoy these four essays:

“All That is Light and Air” by Cheryl Sadowski

“Venetian Red and other Fates” by Dian Parker

“The Langlois Bridge at Arles: Love, Life, and Death in the South of France” by Ashley Elizabeth Trotter

“Wild Birds and the Primacy of Place” by Jesse Curran

We’ve also started a Facebook page, which you can follow for posts about future issues as well as exhibits, articles, books, essays, and sites that might be of interest. Continue reading “After the Art – Issue 20 – June 2023”

After the Art – Issue 18 – December 2022

Welcome to After the Art’s eighteenth issue.

We hope you enjoy these three essays:

“The Bechers at the Met” by Scott Schomburg

“Counsel to the Wise” by Teresa H. Janssen

“There Are No Words” by Dana Delibovi

We’ve also started a Facebook page, which you can follow for posts about future issues as well as exhibits, articles, books, essays, and sites that might be of interest. Continue reading “After the Art – Issue 18 – December 2022”

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